EXPOSITION
2.-8.
September 2013 Vernissage: 1. September, 19h
Kultur im Bunker
Berliner Straße 22C 28203 Bremen
www.thealit.de/lab/schutzraum/Avec les oeuvres de ALEX GIEGOLD UND TOMKA WEISS, CARLA HABEL UND KORNELIA
HOFFMANN, ANA HOFFNER, LILLA KHOÓR, LENE MARKUSEN, HELENE VON OLDENBURG,
JELKA PLATE, RENA RÄDLE UND VLADAN JEREMIĆ, Z.SCHMIDT,
ANNA SZIGETHYSYMPOSIUM, 6.–8. September
2013, Plantage 13 28215 Bremen
Participation a l'exposition avec l’œuvre
Image de
ville, en même temps et les mannqueins de bois avec les robes de chambres:
http://annaszigethy.blog.free.fr/index.php?post/2013/04/11/Image-de-ville%2C-en-m%C3%AAme-temps
Vue de l'exposition
Protective Space, Kultur im Bunker, Bremen, Sept. 2013
Femmes,
robes de chambre
installation, 2013 25 mannequins en bois avec les robes de chambre, Image de
ville, en même temps, série de photo, 40*50 cm, 2013,
Femmes, portraits vidéo, 3’13, 2013
vue de l'exposition de la rue, avec les robes de chambre.
>PROTECTIVE SPACE<Politics Aesthetics Media
The
German term >Schutzraum< calls to mind a place where one can sit out a
catastrophe. Various effects of violence and power structures make many
different kinds of protective spaces necessary – for individuals as well as for
collectives. Cultures, life styles, certain forms of organization, opinions and
convictions, ways of thinking and of expression can all be in need of shelter.
On the other hand, all these may function as a refuge. Protective spaces do not
necessarily have to be physically manifested places. They can offer short-term
survival as well as the long-term establishment of a space that allows for
freedom of action. Shelters are exclusive areas, places of retreat, and the
fabric of more or less trusting relationships
In these times, when
utilization, (digital) networking and (media) presence is an almost omnipresent
demand, protective spaces take on a new significance. The World Wide Web is used
as a shelter, at the same time it enables the perfection of surveillance,
control and regulation. Collective, self-governed spaces such as those
established by the social movements of the 1970s and 80s are being rediscovered.
However, such gains are also questioned: critics find fault with their mechanics
of exclusion and call for more “diversity” and “transparency”. Spaces offering
freedom, and practices of exclusion are near neighbors, even mutually dependent.
Strategies of retreat can be the result of threats, fear, exhaustion or
listlessness – or an expression of ennui, disobedience and concentration. And a
person who uses a shelter for napping is perhaps the herald of a
rebellion?
Thealit Lab 2013 aims to explore, question, discuss, conceive,
construct and walk through various “protective spaces”. What are the ways and
purposes of creating shelters? Which aspects of criticism or self-criticism are
taken into account? What are the reasons for retreat as an activist, artistic
strategy, and how is it experienced? Are the really good shelters traceable at
all? And when does the time come to exit a shelter?
>Protective
Space< Politics Aesthetics Media is curated by Kea Wienand and Monika
Wucher.thealit Frauen.Kultur.Labor. www.thealit.de
Gudrun, photo, 2012, 50*80cm
